The KICK SUB-BASS generator TRICK in Cubase 9.5

Introduction

This tutorial guides you through adding a sub-bass signal to your kick drum in Cubase 9.5. This technique enhances the low-end presence in your mix, making your kick drum sound fuller and more impactful. Whether you're working on electronic music, hip-hop, or any genre that benefits from a strong bass foundation, this trick will elevate your production quality.

Step 1: Create a New MIDI Track

1. Open Cubase 9.5.
2. Go to Project > Add Track > MIDI.
3. Name your new MIDI track (e.g., "Kick Sub-Bass").

Step 2: Load a Sub-Bass Instrument

1. Select the MIDI track you just created.
2. Open the VST Instruments window.
3. Load your preferred sub-bass VST instrument (e.g., Serum, Massive).
4. Adjust the instrument settings to achieve a deep, smooth sound. Focus on lower frequencies (around 40-60 Hz).

Step 3: Create a MIDI Pattern

1. Double-click on the MIDI track to open the MIDI editor.
2. Draw in a simple MIDI pattern that complements your kick drum.
   • Use whole notes or half notes for a sustained sub-bass.
3. Ensure that the MIDI notes correspond to the root note of your kick drum.

Step 4: Set Up Sidechain Compression (Optional)

1. Insert a compressor on the sub-bass track.
2. Select the kick drum track as the sidechain input for the compressor.
3. Adjust the compressor settings:
   • Threshold: Set to a level where the compressor activates with the kick.
   • Ratio: Start with a higher ratio (e.g., 4:1) for more pronounced ducking.
   • Attack and Release: Tweak to achieve a natural pumping effect in time with the kick.

Step 5: Balance the Mix

1. Set the levels of both the kick drum and sub-bass tracks.
2. Use EQ to carve out space for each element:
   • Cut frequencies in the kick where the sub-bass is dominant and vice versa.
3. Consider adding a low-pass filter on the sub-bass to remove any unwanted higher frequencies.

Practical Tips

• Experiment with different sub-bass sounds to find the best fit for your track.
• Be mindful of the overall mix; too much low-end can cause muddiness.
• Use reference tracks to guide your low-end balance.

Common Pitfalls to Avoid

• Avoid making the sub-bass too loud; it should support, not overpower, the kick.
• Ensure that the kick and sub-bass are in phase to maintain clarity and punch.
• Don't forget to check your mix on various playback systems to ensure it translates well.

Conclusion

By following these steps, you can effectively add a sub-bass signal to your kick drum in Cubase 9.5, enhancing the low-end presence in your music. Experiment with different instruments and settings to find the sound that works best for your project. For further exploration, consider diving deeper into mixing techniques or exploring different bass synthesis methods. Happy producing!